Sept 18 – Oct 18, 2018 / Journey to China and Tibet

September 18 – 20, 2018 / Beijing

On Tuesday September 18 I arrived in Beijing about 2 PM went through customs at the airport, got my luggage and took a taxi to Chinese Box Courtyard Hostel where  I will spent two nights before leaving on thursday for Qufu. I spent the evening arranging my meeting with my publisher here in Beijing tomorrow to get paid for editing a book that was published was year. I also finished inserting pictures for my last post. I always seem to be both tour guide and working on my own self awareness. My focus today is on awareness. My “practice” is serenity, discipline, and patience. Accepting things as they are always seems to be the challenge.

Three things I must try do today (9/19): go by South Train Station to pick up my ticket to go to Qufu tomorrow night,  second go by publisher’s office, and third, make my way to the National Museum (I didn’t make it to the museum… maybe tomorrow). This morning I’m listening to Cardinals game against Atlanta. When games begin at 7 PM in USA… they begin at 7 AM here… GO CARDS! They won 9-1. If time, I want to make my way to Beihai Park this afternoon. It seems half my time when I am in Beijing is either waiting for or riding in a taxi. Traffic here is awful… too many cars. On my way back to USA in mid October, I hope to have time to go to the White Cloud Taoist Temple here in Beijing. I went with friends in 2005, but would like to make a return visit.

What I want to do in my full day here in Beijing is try to focus on acknowledging that both inside and outside are to same. I think that’s the serenity part and coincides with ‘inner peace”. The point of this is we will go there. That the outer is simply a reflection of our inner selves and how that is implemented through being in touch with our environment is known as feng shui… One place I especially like is adjacent to the Forbidden City called Beihai Park. It is one of the oldest, largest and best-preserved ancient imperial gardens in China. Beihai Park is said to be built according to a traditional Chinese legend. The story is that once upon a time there were three magic mountains called ‘Penglai’, ‘Yingzhou’ and ‘Fangzhang’ located to the east of China. Gods in those mountains had a kind of herbal medicine which would help humans gain immortality. Many emperors succumbed to this desire to remain in power as long as possible. Some spent many sleepless nights pacing around the lake in Beihai Park hoping the elixir would soon be discovered. After all, the emperor was considered to be the “son of heaven”, the representative of the deity here on earth responsible for all around him.

Lessons in Feng Shui. It was believed that different mountain-water combinations in ancient Chinese architecture led to totally different effects.  So from then on almost every emperor during succeeding dynasties would build a royal garden with “a one pool with three hills’ layout” near his palace. Beihai Park was built after this traditionBeihei 2.jpgal style: the water of Beihai (Northern Sea) with Zhongnanhai (Central and Southern Seas) is the Taiye Pool; the Jade Flowery (Qionghua) Islet, the island of the Circular City and the Xishantai Island represent the three magic mountains. Beihai Park was initially built in the Liao Dynasty (916 – 1125) and was repaired and rebuilt in the following dynasties including Jin, Yuan, Ming and Qing (1115 – 1911). The large-scale rebuilding in the reign of Emperor Qianlong of the Qing Dynasty (1644 – 1911) generally established the present scale and pattern.

To the northwest in the park is the Nine-Dragon Wall, which is the only screen 9 dragon wallhaving nine huge dragons on both sides and is among the most famous three Nine-Dragon Screens in China (the other two are located in the Forbidden City and Datong, Shanxi Province). Built in 1756, the Nine-Dragon Wall is about 90 feet (27 meters) long, 21.8 feet (6.65 meters) high and 4.7 feet (1.42 meters) thick. It is composed of 424 seven-color glazed tiles that embossing the feng shui 2 (2)screen. There are nine huge coiling dragons on each side of the screen and big or small dragons in different postures decorating the two ends and the eaves, making a surprising total of 635 dragons.

I have this thing about Chinese dragons. Every time I see this depiction of dragons I think of Chinese history about the sage who embodies heavenly qualities. Adjacent to both the Forbidden City and Tienanmen, the park is extremely popular…  When I am in Beijing and have an afternoon free I like coming to Beihai. In Spring you can almost feel the immortality they were seeking in the air.

National Museum in Beijing

Opposite Tienanmen and the Forbidden City is the National Museum. This morning I begin here. Thursday (9/20) was primarily spent at the National Museum. I had forgotten that more than ten years ago I regularly visited a friend whose government office was in the restricted access area adjacent to the museum. I was most impressed with the Buddhist collection and ancient roll paintings.

Beijing’s premier museum is housed in an immense 1950’s Soviet-style building on the eastern side of Tienanmen Square, and claims to be the largest in the world by display space. You could easily spend a couple of hours in the outstanding Ancient China exhibition alone, with priceless artifacts displayed in modern, low-lit exhibition halls, including ceramics, calligraphy, jade and bronze pieces dating from prehistoric China through to the late Qing dynasty. You’ll need your passport to gain entry. The museum is located at Guangchangdongce Lu, Tienanmen Square. The hours are from 9 am to 5 pm Tue-Sun, last entry 4 pm.

What first got my attention today is the 2000-year-old jade burial suit in the basement exhibition. I believe this is the same jade suit that I saw at the Nelson Gallery in Kansas City in Spring 1975 when it was a part of the traveling exhibit from China. It was made for the Western Han dynasty king Liu Xiu. Many highlights including the life-sized bronze acupuncture statue dating from the 15th century. A 2000-year-old rhino-shaped bronze zūn (wine vessel) is another standout.



The Ancient Chinese Money exhibition on the top floor, and the Bronze Art and Buddhist Sculpture galleries, one floor below, are what I especially liked.

The museum was established in 2003 by the merging of the two separate museums that had occupied the same building since 1959: the Museum of the Chinese Revolution in the northern wing (originating in the Office of the National Museum of the Revolution founded in 1950 to preserve the legacy of the 1949 revolution) and the National Museum of Chinese History in the southern wing (with origins in both the Beijing National History Museum, founded in 1949, and the Preliminary Office of the National History Museum, founded in 1912, tasked to safeguard China’s larger historical legacy).

The building was completed in 1959 as one of the Ten Great Buildings celebrating the ten-year anniversary of the founding of the People’s Republic of China. It complements the Great Hall of the People that was built at the same time. The structure sits on 16 acres and has a frontal length of 1,027 feet, a height of four stories totaling 130 ft, and a width of 489 feet. The front displays ten square pillars at its center.

After four years of renovation, the museum reopened on March 17, 2011, with 28 new exhibition halls, more than triple the previous exhibition space, and state of the art exhibition and storage facilities. It has a total floor space of nearly 200,000 square feet of display.

The museum, covering Chinese history from the Yuanmou Man of 1.7 million years ago to the end of the Qing Dynasty (the last imperial dynasty in Chinese history), and has a permanent collection of over a million items, with many precious and rare artifacts not to be found in museums anywhere else in China or the rest of the world.

Among the most important items in the National Museum of China are the “Simuwa Ding” from the Shang Dynasty, the square shaped Shang Dynasty bronze zun decorated with four sheep heads, a large and rare inscribed Western Zhou Dynasty, bronze water pan, a gold-inlaid Qin Dynasty bronze tally in the shape of a tiger, Han Dynasty jade burial suits sewn with gold thread (mentioned above), and a comprehensive collection of Tang Dynasty tri-colored glazed sancai and Song Dynasty ceramics. They are depicted below.